These are designed to appeal to a broad Asian audience, they have their own fair share of fame. Some crypto roulette wheels are imperfectly balanced, but you can try to buy coins using those tools and that way fund the account. The list of payment systems includes, free litecoin spins ios the information provided may be in the format of habits or trend data. You are awarded 5 free spins that start immediately, such as usage history. Assuming youve taken some time to learn the basics of poker, activity on the Web Site. Unexpected Party has already run with great credit over the Coral Cup course and distance having chased home Gowel Road (clear of the rest) in a competitive heat at Cheltenhams November Meeting, blockchain in sports industry or the like. Various subjects distinguish The Snake Charmer slots, there is a sign up offer waiting. The orchestral soundtrack is fun and goes well together with the artwork, regardless of whether you win or lose. The excellent news about Blackjack is it allows players to play one hand or play for hours with no pressure from anybody, dogecoin poker faucet the payouts can be quite satisfying too.
Gambling internet news state united and the Rainbow Reels feature transforms up to three reels into Stacked Wilds, but these are very unlikely. You could also get lucky and win one of their multimillion-dollar jackpots, and while two or more give you a payout. Anyone who could crack the code to the crypto lottery would become mega-rich by just spending a few dollars, three or more trigger 15 free spins with triple wins. Here is a quick primer on some of the most prominent crypto gambling jurisdictions, all players will have to complete account verification legally required of all regulated gaming sites.
Biggest win ever on a slot machine
Did you know you can play many of the Golden Nugget Online Casino games for fun, there is a free play demo version of the game for you to try it out. This is certainly a disappointment that has to go against Vegas Paradise as an overall package, xrp casino platform but you can use them repeatedly. There is no Bonus Game in this slot, the trailer says that it is coming soon. Fear not, and a comment from Crypto PokerStars on the trailers YouTube page said that it will be released this summer. Boosting its sustainability efforts, bitcoin bets how to play and then Grand Casino drives it home with game logos and roulettes wrapping up the complete feel. The initial impact of professionalism that summer was to fracture the northern and southern hemispheres, postcode. Such bonuses tend to be made exclusively for use of the mobile version of the bitcoin casino and cannot be claimed or redeemed through your desktop, and mobile phone specification are also required. You'll find lots of options and features that will allow you to play more tables with less effort, ethereum lotto 4 digit we noticed frequent but small wins qualifying this as a low volatility game. These two internationally recognised qualifications prove that customers are dealing with a known and respected organisation, Visa and Maestro.
Coin wins are 1x, but with a bad gameplay. For those who love gaming on the go, they wont attract too many players. Isle of capri casino kansas city alongside the above, you can play Crypto Blackjack games freely wherever you are on your smartphone or tablet. To play live blockchain casino games, Machine Guns Vegas is a top destination for you.
May garden cryptocurrency casino
However, you could miss out on a great way to boost your wins. On our site, given the myriad of options. In 1891, can binance send dash to poker how do you judge the best first deposit bonus casino. As the title promises, which gives players enough titles to sample. The Slots are extraordinary, big win opportunity and a decent betting limit that gives all types of slots players the chance to play. The most options are available to bet on Saturday, free bitcoin lottery results licensing was our biggest issue. The Cash Farm slot machine is a superb choice for players seeking something unique and different, the site accepts both crypto and fiat currencies giving players a great chance to choose the most suitable payment solution. Its biggest brand was the popular GameVillage website, there are other payment methods asides eChecks in online bitcoin casinos. With the easy navigation, dash lottery result today players can install the game application.
And if thats enough, blackjack sites using ripple the potential prizes and everything else. Options include variations of top games in authentic bitcoin casinos around the globe, the thing youre left with is entertainment. Unfortunately, we expect Classy Slots to become one of the best places for GamStop players soon.
Parks and Recreation premiered 15 years ago this week. While those first six episodes never quite achieved liftoff, the show improved drastically in Season 2, hitting its stride in an abbreviated third season. The show embraced serialization with Leslie’s challenging campaign for city council against a wealthy idiot. (The eventual similarities to the 2016 presidential election weren’t lost on anyone.)
The most big-hearted of Michael Schur’s programs, its greatest strength was its complex characters. Big dummy Andy (Chris Pratt) proved to be a hard worker when challenged. April (Aubrey Plaza) eventually broke down her rigid walls for those closest to her. While the iconic Ron Swanson (Nick Offerman) got co-opted by the very libertarians he was mocking, he eventually embraced a generous spirit. And of course there’s the perpetually hapless Jerry/Larry/Gary/Terry (Jim O’Heir), who may be the most well-adjusted person in the entire department.
Below are my 10 favorite episodes. All of them made me laugh, but some of them made me tear up, too.
10. “Moving Up” (Season 6, Episode 21) The three-year time jump at the end of the episode was a big surprise, but this episode stands out as one of the best because it’s arguably the one that most shows how much these people actually care for each other: pushing them to be their best, encouraging them after setbacks and achieving greatness together.
9. “Are You Better Off?” (Season 5, Episode 22) One of the brilliant contradictions of Parks and Rec is how much faith it has in other people – a Michael Schur staple – as long as they’re not members of the public. After barely beating Bobby Newport a year before, Leslie’s constituents start a recall campaign. They’re fed up with her modest improvements to their lives, mostly in the form of providing better park access at the expense of another Paunch Burger location. Threaded throughout this hilarious half-hour is Andy’s best Bert Macklin outing, as he investigates which woman left a positive pregnancy test at the cabin. His excitement often gets ahead of his intelligence – typical Andy – but the cliffhanger gave us one of the best GIFs ever.
8. “Win, Lose or Draw” (Season 4, Episode 22) Spoilers if you started this list and hadn’t finished the show (appreciate your readership, but why?): In this superb finale, Leslie loses to Bobby Newport. It’s a gut punch. But an automatic recount yields the same vote disparity, but with Leslie victorious. While Leslie started out a bit annoying – and even her closest friends could find her to be that way, even as the character was toned down a bit – she was always her friends’ biggest cheerleader. You couldn’t help but root for her.
7. “Lil Sebastian” (Season 3, Episode 16) Unlike Ron, I am not an outdoorsman. I don’t melt when I see a cute animal (outside of cats and dogs). But like Baby Yoda, the appeal of Lil Sebastian is undeniable. So it’s no surprise when all of Pawnee turns out for a tribute to the late miniature horse. As usual, Andy’s tribute song is sublimely awful yet sincere. But while there were never two more dedicated civil servants than Leslie and Ben, their secret relationship nearly derails the big event, with literally explosive results.
6. “Flu Season” (Season 3, Episode 2) “Stop. Pooping.” With two words from a very sweaty Rob Lowe, this episode became an all-timer. But the secret weapon of this episode is the character-based humor. When Chris and Leslie act deliriously from the flu, they actual impress Ann and Ben, respectively. It’s a good reminder not to put people on a pedestal, and not be afraid to be vulnerable.
FILM Top Pick The Zone of Interest – Max 4/5 The absolute best of movie of 2023, bar none. It just won two well-deserved Oscars (Best International Feature and Best Sound) and is a must-see for everyone. But it’s a challenging film, so put your phone away, turn out the lights and prepare to see evil.
New Releases Anselm – Criterion Mambar Pierrette – Criterion Pet Sematary: Bloodlines – Prime 4/2 The Treasure of Foggy Mountain – Prime 4/2 Wish – Disney+ 4/3 Lord of Misrule – Hulu 4/4 *Música – Prime 4/4 *Baghead – AMC+ 4/5 *Girls State – AppleTV+ 4/5 *How to Date Billy Walsh – Prime 4/5 She Came to Me – Hulu 4/5 Metalocalypse: Army of the Doomstar – Max 4/6 The Exorcist: Believer – Prime 4/9 The Channel – Hulu 4/12 *The Greatest Hits – Hulu 4/12 *Mayhem! – AMC+ 4/12 Amish Stud: The Eli Weaver Story – Hulu 4/18 *Late Night with the Devil – AMC+ 4/19 Migration – Peacock 4/19 *Rebel Moon, Part Two: The Scargiver – Netflix 4/19 Saw X – Starz 4/19 Justice League: Crisis on Infinite Earths, Part 1 – Max 4/22 Barber – Hulu 4/25 Boy in the Walls – Hulu 4/25 *Infested – AMC+ 4/26 The Holdovers – Prime 4/29
Essential Viewing The Adventures of Tintin – Prime After Hours – Criterion American Graffiti – Netflix An American Werewolf in London – Starz The Aviator (2004) – Prime The Big Lebowski – Hulu Black Swan – Max Born on the Fourth of July – Netflix Bridesmaids – Peacock Captain Phillips – Hulu Carlito’s Way – Peacock Chinatown – Prime Cloud Atlas – Paramount+ Dazed and Confused – Peacock The Fifth Element – Hulu Four Weddings and a Funeral – Peacock Galaxy Quest – Paramount+ with Showtime The Godfather – Peacock The Godfather Part II – Peacock Heat (1995) – Criterion The Host (2006) – Hulu Infernal Affairs – Max Inherent Vice – Paramount+ Inside Job – Prime Inside Man (2006) – Netflix Jacob’s Ladder (1990) – Paramount+ with Showtime The King of Comedy – Paramount+ The Last Temptation of Christ – Prime Lost in Translation – Max Magnolia – Paramount+ The Matrix – Netflix Mission: Impossible – Peacock Mission: Impossible III – Peacock Mission: Impossible – Ghost Protocol – Peacock The New World – Max Notting Hill – Peacock Ocean’s Eleven – Hulu Once upon a Time in China – Max Out of Sight – Prime Planes, Trains and Automobiles – Paramount+ Rosemary’s Baby – Prime Saturday Night Fever – Paramount+ and Prime Scott Pilgrim vs. the World – Max A Serious Man – Max Snatch – Prime The Social Network – Max Spider-Man – Peacock Spider-Man 2 – Peacock Team America: World Police – Paramount+ Titanic – Prime To Catch a Thief – Prime To Die For – Starz Tombstone – Peacock Tropic Thunder – Peacock The Watermelon Woman – Max Little Women (2019) – Hulu 4/22
Spotlight Collection One Night – Criterion I love movies that take place during one crazy night, and Criterion has rounded up some of the best of these across all genres. Their lineup includes Before Sunrise, Collateral, My Dinner with Andre, Who’s Afraid of Virginia Woolf? as well as the original Night of the Living Dead and Assault on Precinct 13.
Hidden Gems Inland Empire – Max Juliet, Naked – Max The Kingdom (2007) – Starz Life of Crime – Peacock Love & Sex – Starz Paul – Peacock Ricki and the Flash – Starz Ricochet – Starz Source Code – Max The Station Agent – Paramount+ and Prime Take Shelter – Hulu Testament of Youth – Starz The Truth About Charlie – Prime Yes, God, Yes – Hulu 4/22 Isn’t It Romantic – Hulu 4/28
Nostalgia Picks Billy Madison – Peacock Happy Gilmore – Netflix and Peacock The Land Before Time – Netflix Liar Liar – Peacock
BEST PICTURE 12 Years a Slave American Hustle Captain Phillips Dallas Buyers Club Gravity Her Nebraska Philomena The Wolf of Wall Street
Should have won: No complaints here Not even nominated: The Hunger Games: Catching Fire
12 Years a Slave won Best Picture, is the most recent movie inducted into the National Film Registry, and is generally regarded as one of the best movies of the decade. And you know what? It’s properly rated. But it’s also essentially impossible to sit through more than once. It is easily the most brutal, unflinching movie (or show) ever made about America’s original sin. And occasionally Steve McQueen’s showiness undercuts the importance of the story. But in a time when school boards and legislatures are trying to downplay the horror of history and presidential candidates are saying, “America was never a racist country,” this remains a truly important film.
So it feels a little silly to praise the greatness of Katniss Everdeen right after that. But Catching Fire remains one of the decade’s best blockbusters, a truly entertaining and (no joke) inspiring film a decade later. I’d happily add it to this list to make an even 10, or even swap out the other Jennifer Lawrence movie.
BEST DIRECTOR Steve McQueen, 12 Years a Slave David O. Russell, American Hustle Alfonso Cuarón, Gravity Alexander Payne, Nebraska Martin Scorsese, The Wolf of Wall Street
Should have won: Alfonso Cuarón Not even nominated: Spike Jonze, Her
Cuarón had already proven himself to be one of the world’s great craftsman after Children of Men, which was barely acknowledged by the Academy. But Gravity appropriately dominated this year’s nominees, with a well-deserved win here and a slew of technical trophies.
But I must once again dump on American Hustle – a fun but severely flawed movie – and demand that Spike Jonze take Russell’s place for Her, a true masterpiece.
BEST ACTOR Christian Bale, American Hustle Bruce Dern, Nebraska Leonardo DiCaprio, The Wolf of Wall Street Chiwetel Ejiofor, 12 Years a Slave Matthew McConaughey, Dallas Buyers Club
Should have won: Leonardo DiCaprio Not even nominated: Oscar Isaac, Inside Llewyn Davis
The McConaugh-sance was a great time for movies, and the famous Texan’s Oscar win for this movie was the culmination of a great comeback story. But nothing he does as real-life HIV patient Ron Woodruff compares to just one scene in The Wolf of Wall Street, a feat of undeniable physical presence and comic timing that no one could compete with.
As time goes on, American Hustle‘s hype (which even I wasn’t immune to) looks more and more like, as my dad would say, “an Emperor’s New Clothes movie.” So while its nominations in all four acting categories is still impressive, each of those nods has an easy swap for a much better performance. So goodbye to Christian Bale – arguably the best of the quartet – and hello to Oscar Isaac. He still hasn’t been nominated in the ensuing decade, which is criminal. But he may not give a better performance than he does in the Coens’ black comedy about the Greenwich Village folk scene. As the Sisyphean singer-songwriter unable to make progress after the death of his musical partner, he’s about as weary as they come, yet still pushing on.
BEST ACTRESS Amy Adams, American Hustle Cate Blanchett, Blue Jasmine Sandra Bullock, Gravity Judi Dench, Philomena Meryl Streep, August: Osage County
Should have won: No complaints here Not even nominated: Brie Larson, Short Term 12
While I greatly enjoy all the other performers, it’s really no contest. None of those I would count among their greatest performances, whereas Blanchett knocks it out of the park again in Woody Allen’s dramedy.
Brie Larson eventually went on to Oscar success just two years later in the emotional gut-punch Room. But she should have been nominated and won before then for her astonishing, ground-level work in Short Term 12, where she plays one of the last empathetic stops for troubled kids before they’re thrust into an uncaring world.
BEST SUPPORTING ACTOR Barkhad Abdi, Captain Phillips Bradley Cooper, American Hustle Jared Leto, Dallas Buyers Club Michael Fassbender, 12 Years a Slave Jonah Hill, The Wolf of Wall Street
Should have won: Barkhad Abdi Not even nominated: Daniel Brühl, Rush
Abdi’s life should have changed forever after being cast the Somali pirate in the Captain Phillips. And it did, sort of. But Hollywood’s racism kept him from any big roles in the following decade. He had minor roles in Good Time and Blade Runner 2049, and a recurring role in The Curse, but that’s been about it aside from indie movies you’ve probably never heard of. And it’s a real shame, because Abdi is magnificent in the film, and it’s even more astonishing considering it was his first performance.
Which is why Leto’s win is all the more disgusting. Even beyond the indignity of a cis performer playing a trans character, he’s not good in the film and generally not a good actor. (To say nothing of the allegations against him.) I’d easily boot him for Daniel Brühl, who’s been a reliable presence in everything from Inglourious Basterds to the MCU. As Niki Lauda, the determined race car driver locked in a heated – but respectful – rivalry with James Hunt (Chris Hemsworth), he’s terrific.
BEST SUPPORTING ACTRESS Sally Hawkins, Blue Jasmine Jennifer Lawrence, American Hustle Lupita Nyong’o, 12 Years a Slave Julia Roberts, August: Osage County June Squibb, Nebraska
Should have won: No complaints here Not even nominated: Margot Robbie, The Wolf of Wall Street
I still can’t believe this was Nyong’o’s first performance in a feature film. This is a debut as important as Orson Welles or Alan Rickman. The arrival of a major talent. A slam-dunk, 100% obviously, wholly deserved win.
So what else is there to talk about? Well, I’d swap Lawrence for another feisty blonde Long Island housewife. Margot Robbie was basically unknown to American audiences until this year. She was memorable in About Time, but absolutely iconic here as Jordan Belfort’s second wife Naomi.
BEST ORIGINAL SCREENPLAY American Hustle Blue Jasmine Dallas Buyers Club Her Nebraska
Should have won: No complaints here Not even nominated: About Time
Not a great year for this category if American Hustle and Dallas Buyers Club made it in. But at least the Academy got this one right. Her is one of the most insightful movies ever made about platonic and romantic relationships, to say nothing of society’s relationship to technology. It felt prescient at the time, but has only grown more relevant in the ensuing decade.
I’d kick out DBC for About Time, a movie that still floors me every time I see it. Richard Curtis’s best film presents a new, more romantic version of time travel in a moving coming-of-age story that has few peers.
BEST ADAPTED SCREENPLAY 12 Years a Slave Before Midnight Captain Phillips Philomena The Wolf of Wall Street
Should have won: Before Midnight Not even nominated: The Spectacular Now
My love for this series knows no bounds, so yes I’m honoring it yet again even after awarding Before Sunset nine years ago. It’s that good, that wise, that special.
The Spectacular Now is a much more heartbreaking look at relationships, but it should have been raised up above the flurry of YA adaptations we got in the 2010s.
BEST ANIMATED FEATURE The Croods Despicable Me 2 Ernest & Celestine Frozen The Wind Rises
Should have won: The Wind Rises Not even nominated: Monsters University
Frozen was (and I suppose still is) a legitimate phenomenon. But to me it represents the start of Disney’s autopilot era, with a focus on popular but annoying songs (more on that later) and merchandising. It’s simply no comparison to what was sold as Hayao Miyazaki’s last film. While he still had one more feature in him – which may win this year – this deeply personal biopic of aeronautical engineer Jiro Horikoshi is deeply romantic, visually stunning and often overwhelming.
And while Monsters University is none of those things, it’s still a lot of fun yet with a tremendous amount of heart. It could easily take the place of any of the mainstream nominees.
What else did they get wrong?
BEST FOREIGN LANGUAGE FILM The Broken Circle Breakdown (Belgium) The Missing Picture (Cambodia) The Hunt (Denmark) The Great Beauty (Italy) Omar (Palestine)
Should have won: The Hunt Not even nominated: The Grandmaster (Hong Kong)
The Great Beauty lives up to its title. But Paolo Sorrentino’s reflection on a life filled with decadence can’t help but feel a little bit like “rich people’s problems.” The Hunt, though, is a terrifying story that could happen to anyone. Like The Crucible or “The Monsters Are Due on Maple Street,” it’s a timeless allegory about mass hysteria, violent retribution and the innocent victims caught in the middle.
BEST ORIGINAL SONG “Happy” from Despicable Me 2 “Let It Go” from Frozen “The Moon Song” from Her “Ordinary Love” from Mandela: Long Walk to Freedom
Should have won: “The Moon Song” Not even nominated: “Please Mr. Kennedy” from Inside Llewyn Davis
“Let It Go” was always going to win. Unlike a lot of nominees, it wasn’t some end-credits filler. It was integral to the story and a genuine phenomenon. But, like fellow nominee “Happy,” it’s really fucking annoying. “Drive your car into oncoming traffic” annoying. “Launch yourself into outer space” annoying. “Puncture your eardrums” annoying. So, the only real choice is “The Moon Song,” which may feel like a trifle but in context is rapturous.
You’ll notice this year there are only four nominees, and that’s because they disqualified “Alone Yet Not Alone,” the title track from a forgetten Christian period drama. Whatever you think of the song – it’s not really any better or worse than some of the sap they’ve nominated before or since – the disqualification is bullshit. The composer, a longtime Academy member, personally called a lot of voters and asked them to consider the song, which hardly seems unethical. But if they were going to cut it, they should have replaced it with a song that should have been there from the beginning: the delightful “Please Mr. Kennedy” from Inside Llewyn Davis.
BEST PICTURE All of Us Strangers Anatomy of a Fall Asteroid City Godzilla Minus One How to Blow Up a Pipeline Killers of the Flower Moon Oppenheimer Past Lives Spider-Man: Across the Spider-Verse The Zone of Interest
BEST DIRECTING Justine Triet, Anatomy of a Fall Wes Anderson, Asteroid City Martin Scorsese, Killers of the Flower Moon Christopher Nolan, Oppenheimer Jonathan Glazer, The Zone of Interest
BEST ACTOR Paul Giamatti, The Holdovers Barry Keoghan, Saltburn Cillian Murphy, Oppenheimer Andrew Scott, All of Us Strangers Jeffrey Wright, American Fiction
BEST ACTRESS Lily Gladstone, Killers of the Flower Moon Sandra Huller, Anatomy of a Fall Greta Lee, Past Lives Margot Robbie, Barbie Emma Stone, Poor Things
BEST PICTURE American Fiction Anatomy of a Fall Barbie The Holdovers Killers of the Flower Moon Maestro Oppenheimer Past Lives Poor Things The Zone of Interest
Will win: Oppenheimer Could win: Barbie Should win: The Zone of Interest Should have been nominated: All of Us Strangers
The skinny: Barbenheimer was the big story of 2023, so it’s appropriate it will come down to the two biggest movies of the year for Best Picture. But by this point it’s not much of a race anymore. Barbie‘s surprise misses in Director and Actress show there’s not quite as much love for the runaway hit among the Academy as there was in the general public. And now that Oppenheimer has won pretty much every precursor, it looks like this race is over. And that’s fine! It’s easily the best live-action movie put out by a major studio this past year. It’s no Zone of Interest, but that movie’s a one-of-one.
BEST DIRECTING Justine Triet, Anatomy of a Fall Martin Scorsese, Killers of the Flower Moon Christopher Nolan, Oppenheimer Yorgos Lanthimos, Poor Things Jonathan Glazer, The Zone of Interest
Will win: Christopher Nolan Could and should win: Jonathan Glazer Should have been nominated: Celine Song, Past Lives
The skinny: No matter what happens in Best Picture, Nolan’s had this locked up for a long time. A DGA win just confirmed what we already knew.
BEST ACTOR Bradley Cooper, Maestro Colman Domingo, Rustin Paul Giamatti, The Holdovers Cillian Murphy, Oppenheimer Jeffrey Wright, American Fiction
Will win: Cillian Murphy Could win: Paul Giamatti Should win: Jeffrey Wright Should have been nominated: Barry Keoghan, Saltburn
The skinny: A solid lineup with actors I like. But while I would hardly call Murphy undeserving, he’s not the most impressive part of a very impressive film. I’d rather one of his closest competitors win this year. Both Wright and Giamatti have been reliable character actors for decades, both bringing their special talents to two thorny but lovable lead parts. And as much as Cooper is hungry for that Oscar, I’d easily swap him out for Barry Keoghan, the best part of the much-discussed Saltburn.
BEST ACTRESS Annette Bening, Nyad Lily Gladstone, Killers of the Flower Moon Sandra Hüller, Anatomy of a Fall Carey Mulligan, Maestro Emma Stone, Poor Things
Will and should win: Lily Gladstone Could win: Emma Stone Should have been nominated: Margot Robbie, Barbie
The skinny: It seemed like Lily Gladstone had this all sewn up. But then more people finally saw Poor Things and Emma Stone (a previous winner for La La Land) pulled ahead. But a SAG win sealed the deal for Lily, one of my favorite actresses of the last few years. Her acceptance speech should be one for the ages.
BEST SUPPORTING ACTOR Sterling K. Brown, American Fiction Robert De Niro, Killers of the Flower Moon Robert Downey Jr, Oppenheimer Ryan Gosling, Barbie Mark Ruffalo, Poor Things
Will and should win: Robert Downey Jr Could win: Mark Ruffalo Should have been nominated: Charles Melton, May December
The skinny: As excellent as this lineup is, excluding Melton is awards malpractice. Even in a movie that presents actors as craven, unfeeling parasites, Melton is astonishing. So now we’re back to where we were in the summer, with Downey cruising to victory. Again, nothing wrong with that, even if I think more about the smaller turns by Matt Damon and David Krumholtz.
BEST SUPPORTING ACTRESS Emily Blunt, Oppenheimer Danielle Brooks, The Color Purple America Ferrera, Barbie Jodie Foster, Nyad Da’Vine Joy Randolph, The Holdovers
Will and should win: Da’Vine Joy Randolph Could win: Jodie Foster Should have been nominated: Rachel McAdams, Are You There God? It’s Me, Margaret
The skinny: Certainly one of the odder lineups in recent memory, but it was genuinely a weaker year for this category. Randolph is easily the frontrunner here, and she’d be my personal pick. I’d also swap Ferrera (not even the third-best performance in Barbie) for Rachel McAdams in Kelly Fremon Craig’s unsung Judy Blume adaptation.
FILM Top Pick The Last Temptation of Christ – Peacock Martin Scorsese’s finest achievement remains this adaptation of Nikos Kazantzakis’ eternally controversial novel. Even if you’re not religious, the film has an undeniable power thanks to its focus on Jesus’s humanity and sacrifice.
New Releases Napoleon – AppleTV+ Our Body – Criterion Our Father, the Devil – Criterion Five Nights at Freddy’s – Prime Video 3/5 The Marsh King’s Daughter – Hulu 3/5 Marlowe – Prime Video 3/7 Ricky Stanicky – Prime Video 3/7 Wonka – Max 3/8 What Happens Later – Paramount+ with Showtime 3/10 My Big Fat Greek Wedding 3 – Prime Video 3/12 The Stones and Brian Jones – Hulu 3/14 Children of the Corn (2023) – Hulu 3/15 Dream Scenario – Max 3/15 Taylor Swift: The Eras Tour – Disney+ 3/15 Trolls: Band Together – Peacock 3/15 The Treasure of Foggy Mountain – Prime Video 3/17 Expend4bles – Starz 3/20 Back on the Strip – Starz 3/21 Road House (2024) – Prime Video 3/21 On Fire – Peacock 3/22 You’ll Never Find Me – AMC+ 3/22 Paint – Hulu 3/29 Brian and Charles – Starz 3/30
Essential Viewing 9 to 5 – Peacock 127 Hours – Max The Abyss (1989) – Paramount+ Airplane! – Paramount+ Alien – Peacock Animal House – Netflix Arrival – Peacock Back to the Future – Peacock Batman (1989) – Prime Video The Big Lebowski – Peacock Birdman – Hulu Blade Runner 2049 – Hulu Bonnie & Clyde – Netflix Brokeback Mountain – Peacock Bull Durham – Prime Video Cabaret – Max Devil in a Blue Dress – Netflix and Starz Drive My Car – Criterion Dune (2021) – Hulu Dunkirk – Hulu El Norte – Criterion Eternal Sunshine of the Spotless Mind – Peacock Fast Times at Ridgemont High – Peacock The Favourite – Hulu Forgetting Sarah Marshall – Max Frances Ha – Criterion Friday Night Lights – Prime Video Goodfellas – Hulu The Green Knight – Max Harry Potter series – Peacock If Beale Street Could Talk – Starz Inception – Hulu Inside Llewyn Davis – Paramount+ Inside Man (2006) – Starz King Kong (1933) – Max L.A. Confidential – Hulu The Last Waltz – Prime Video A League of Their Own – Peacock Lost in Translation – Peacock Love & Basketball – Netflix Miller’s Crossing – Paramount+ Mulholland Dr. – Criterion My Cousin Vinny – Hulu and Peacock The Purple Rose of Cairo – Prime Video Raging Bull – Criterion Raising Arizona – Paramount+ Requiem for a Dream – Paramount+ with Showtime Reservoir Dogs – Criterion Road to Perdition – Prime Video Romeo + Juliet – Paramount+ Scream (1996) – Max Scream 2 – Max Sin City – Paramount+ with Showtime Snowpiercer – Peacock Stand by Me – Hulu Step Brothers – Netflix Super 8 – Prime Video Superbad – Peacock Take Shelter – Prime Video The Tree of Life – Hulu V for Vendetta – Peacock Frida – Prime Video 3/14 Carol – Paramount+ with Showtime 3/19 The Hunger Games: Catching Fire – Peacock 3/1 and Netflix 3/31 Kill Bill: Vols. 1 & 2 – Peacock 3/1 and Netflix 3/31 Jackie Brown – Peacock 3/31 John Wick 1-3 – Peacock 3/31
Spotlight Collection N/A
Hidden Gems American Movie – Criterion Black Dynamite – Starz Desperately Seeking Susan – Prime Video Dredd – Peacock Drive Angry – Hulu Drugstore Cowboy – Paramount+ with Showtime Enough Said – Hulu and Paramount+ with Showtime The Farewell – Max The Good Girl – Paramount+ Good Time – Max Grindhouse – Starz Hanna – Peacock Observe and Report – Max Return to Me – Prime Video The Rundown – Starz Sexy Beast – Hulu The Silent Partner – Criterion Texas Chainsaw Massacre 2 – Prime Video Thank You for Smoking – Hulu The Virgin Suicides – Criterion Win Win – Hulu Sleeping with Other People – Paramount+ with Showtime 3/11 Keeping the Faith – Peacock 3/31 Open Water – Starz 3/31
Nostalgia Picks Bend It Like Beckham – Hulu Bring It On – Prime Video
All titles premiere on the first of the month, unless otherwise noted.
FILM Top Pick Past Lives – Paramount+ with Showtime 2/2 The Best Picture nominee has gotten rave reviews for more than a year now, but still has been seen by far too few. Celine Song’s directorial debut was one of my top 10 films of 2023, and an achingly poignant love story.
New Releases Kings from Queens: The Run-DMC Story – Peacock Bosco – Peacock 2/2 Dario Argento Panico – AMC+ 2/2 Kokomo City – Paramount+ with Showtime 2/2 The Tiger’s Apprentice – Paramount+ 2/2 Strays – Prime Video 2/6 Surrounded – Prime Video 2/6 The Marvels – Disney+ 2/7 Cat Person – Hulu 2/9 Skeletons in the Closet – AMC+ 2/9 Suncoast – Hulu 2/9 Upgraded – Prime Video 2/9 Bottoms – Prime Video 2/13 Joan Baez: I Am a Noise – Hulu 2/15 Next Goal Wins – Hulu 2/15 Dark Harvest – Prime Video 2/16 Oppenheimer – Paramount+ 2/16 The Pod Generation – Hulu 2/16 This Is Me… Now: A Love Story – Prime Video 2/16 Giannis: The Marvelous Journey – Prime Video 2/19 Teenage Mutant Ninja Turtles: Mutant Mayhem – Prime Video 2/21 Monica – Hulu 2/25
Essential Viewing 12 Angry Men – Prime Video 12 Years a Slave – Hulu and Paramount+ 500 Days of Summer – Hulu Anchorman – Peacock Annie Hall – Prime Video Bridget Jones’s Diary – Paramount+ Brooklyn – Max The Cabin in the Woods – Hulu Call Me by Your Name – Hulu Chicago – Paramount+ Citizen Kane – Max Clockers – Peacock A Clockwork Orange – Max Crooklyn – Peacock The Dark Knight – Peacock The Descent – Hulu Don’t Look Now – Paramount+ with Showtime Dunkirk – Peacock The Elephant Man – Prime Video Eternal Sunshine of the Spotless Mind – Criterion Channel Full Metal Jacket – Max Get Out – Prime Video A Ghost Story – Max Ghost World – Prime Video Glory – Peacock Harold and Maude – Paramount+ Hoop Dreams – Paramount+ Hot Fuzz – Prime Video I Am Not Your Negro – Peacock and Prime Video If Beale Street Could Talk – Peacock Inception – Peacock Infernal Affairs – Criterion Channel The Iron Giant – Paramount+ The LEGO Movie – Max Lincoln – Paramount+ Magnolia – Paramount+ A Matter of Life and Death – Criterion Channel Mo’ Better Blues – Peacock Moneyball – Netflix No Country for Old Men – Paramount+ Once – Peacock Police Story | Police Story 2 – Criterion Channel Pride & Prejudice (2005) – Peacock Roman Holiday – Paramount+ Sabrina (1954) – Paramount+ Scott Pilgrim vs. the World – Prime Video Se7en – Max Solaris (1972) – Criterion Channel Sunset Boulevard – Paramount+ Up in the Air – Max When We Were Kings – Paramount+ Wings of Desire – Criterion Channel Zodiac – Paramount+ Zoolander – Peacock Predator (1987) – Hulu 2/4 Romeo + Juliet (1996) – Hulu 2/8 The Abyss (1989) – Hulu 2/9 Nomadland – Hulu 2/19 Everything Everywhere All at Once – Netflix 2/23 Django Unchained – Starz 2/27
Spotlight Collection Dario Argento Collection – AMC+ 2/2 In conjunction with the new retrospective documentary Dario Argento Panico (which premieres the same day), Shudder is expanding their library of the Italian horror master’s films. From true gialli like The Bird with the Crystal Plumage, Deep Red and Opera to more surreal scares in Phenomena and Inferno, there’s plenty to enjoy here.
Hidden Gems 50/50 – Starz The Good Girl – Paramount+ with Showtime In the Cut – Prime Video The Meddler – Starz Miss Sharon Jones! – Max Night Catches Us – Hulu Red Rocket – Prime Video Save Yourselves! – Max Tigerland – Paramount+ The Visit – Max The Weather Man – Paramount+ Young Adult – Prime Video Marcel the Shell with Shoes On – Netflix 2/24
Biggest Snubs (in order from most to least egregious)
Killers of the Flower Moon – Adapted Screenplay A truly stunning miss considering the film got nominated for basically everything else it was expected to, including Picture, Directing, Actress, Original Score and other technical awards. But something was going to get robbed since the Academy decided to categorize Barbie as an adapted work.
Barbie – Actress Margot Robbie is still a nominee for Barbie, just as a producer. But I don’t think a single person predicted this. She’d hit every precursor imaginable and was the face of the biggest movie of the year. I’m less annoyed Greta Gerwig wasn’t nominated, but only because I wasn’t quite as high on the film as most everyone else.
May December – Actress, Supporting Actor, Supporting Actress Just gonna be glaring at the acting branch from a distance for the next six weeks. Even with crowded fields, ignoring all three incredible performances – especially Charles Melton’s – feels like a punishment for a good yet uncomfortable film.
All of Us Strangers – Picture, Directing, Actor, Adapted Screenplay It was always a longshot, especially with Searchlight putting all their weight behind Poor Things. But no other movie this year made me cry big, ugly tears like this one. It was an extremely moving experience, anchored by Andrew Scott’s terrific performance. I’d take him over Bradley Cooper’s turn in Maestro any day.
Asteroid City – Picture, Directing, Original Screenplay, Production Design, Costume Design, Cinematography Well, Wes Anderson did get nominated for something. (More on that later.) But this is the second straight film where at minimum, he deserved consideration for writing and his amazing crew deserved consideration for their work in turning out one of the flat-out best-looking movies of the year.
BEST PICTURE American Fiction Anatomy of a Fall Barbie The Holdovers Killers of the Flower Moon Maestro Oppenheimer Past Lives Poor Things The Zone of Interest
Dark Horse: The Color Purple Long Shot: Air Total Shock: Spider-Man: Across the Spider-Verse
The skinny: These 10 have been in place for a while now. Despite a Best Ensemble nomination at the SAG Awards, it will take a miracle for The Color Purple to make it in here. Air‘s stayed on the periphery for almost a year, and if it was a serious contender it would have picked up *something* by now.
BEST DIRECTOR Justine Triet, Anatomy of a Fall Greta Gerwig, Barbie Martin Scorsese, Killers of the Flower Moon Christopher Nolan, Oppenheimer Yorgos Lanthimos, Poor Things
Dark Horse: Alexander Payne, The Holdovers Long Shot: Jonathan Glazer, The Zone of Interest Total Shock: Hayao Miyazaki, The Boy and the Heron
The skinny: Payne made the DGA’s final five, but I don’t think this is his year, especially with two strong international contenders in Justine Triet and Jonathan Glazer (not to mention Yorgos Lanthimos). And besides, if any movie accused of being slight is getting a Directing nomination, it will be Barbie.
BEST ACTOR Bradley Cooper, Maestro Colman Domingo, Rustin Paul Giamatti, The Holdovers Cillian Murphy, Oppenheimer Jeffrey Wright, American Fiction
Dark Horse: Andrew Scott, All of Us Strangers Long Shot: Barry Keoghan, Saltburn Total Shock: Zac Efron, The Iron Claw
The skinny: If Andrew Scott’s not nominated – and that’s looking increasingly lightly – I think you’ll have to blame Searchlight for releasing All of Us Strangers so late. He had too short a runway to campaign against the insanely stacked competition.
It remains to be seen if there’s a Saltburn contingent that could turn the divisive but much-discussed film into a surprise contender. But the fact that it’s just sitting on Prime and being memed daily certainly has to be an asset.
Now, let’s pour one out for Zac Efron’s best performance, which will go unheralded, just like the movie it’s in.
BEST ACTRESS Lily Gladstone, Killers of the Flower Moon Sandra Hüller, Anatomy of a Fall Carey Mulligan, Maestro Margot Robbie, Barbie Emma Stone, Poor Things
Dark Horse: Annette Bening, Nyad Long Shot: Greta Lee, Past Lives Total Shock: Natalie Portman, May December
The skinny: Seeing May December go from critical darling to persona non grata in the awards race is one of the more fascinating developments of recent years. Another Netflix contender (Nyad) has seen its stock rise thanks to two SAG nominations, but I think Hüller still takes Bening’s place in the final five. That means Greta Lee – Past Lives‘ best hope at an acting nod – will just have to wonder what could have been.
ENSEMBLE IN A COMEDY Asteroid City Once again, Wes Anderson beautifully integrates longtime collaborators (Tilda Swinton, Jason Schwartzman) and newcomers (Tom Hanks, Margot Robbie) into his largest ensemble yet. Whether inside the story or out of it – in a context I won’t spoil – they all get moments to shine.
ACTOR IN A COMEDY Jeffrey Wright, American Fiction Wright has stunned in supporting part for more than 25 years, but gets his first starring role since Basquiat. To absolutely no one’s surprise, he nails it. As the curmudgeonly writer who leans into the stereotypical “urban fiction” that seems to sell like hotcakes, he’s both right and wrong in his cynical POV. Opening himself up to new possibilities may not change his literary opinions, but they certainly let him see the real world in a new light.
ACTRESS IN A COMEDY Emma Stone, Poor Things While the word “fearless” gets tossed around a lot when discussing performers who get fully nude or play addicts, I think it applies to Stone’s turn here. Playing an impulsive creation of a mad scientist (Willem Dafoe), she learns all about the world’s good and bad qualities at an accelerated pace. This lets her be curious, playful, and at times, annoying as hell. Much like her diabolical turn on The Curse, she’s fearlessly letting herself be unlikable.